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INTRO: A11 Bm(b6) Cmaj9 D6sus4 VERSE-A: A11 Bm(b6) Cmaj9 D6sus4 in my mind not e-nough birds have died__ in the shadow of this once cast A11 Bm(b6) Cmaj9 D6sus4 stone and I'm not unwell but I'm ill at ease with all the buttons still left to VERSE-B: A11 Bm(b6) Cmaj9 Dsus4 sew through needles eyes see me sharper than I see my- A11 Bm(b6) `G `D7 `G/B* self___ so you should stitch me in to stop me from Cmaj7 Cmaj7 (-2/4 bar--) bleeding VERSE-A: A11 Bm(b6) Cmaj9 D6sus4 and education can be fickle I think__ sometimes the more you learn the A11 Bm(b6) Cmaj9 D6sus4 more you lose a sense of what you think you know about the buttons still left to VERSE-B: A11 Bm(b6) Cmaj9 Dsus4 sew and I'm out-side myself more and more these A11 Bm(b6) `G `D7 `G/B* days___ so you should stitch my skin to stop me from Cmaj7 Cmaj7 (-2/4 bar--) bleeding all over this fresh song and PRE-CHORUS: A9 Cmaj7 `G `D7 `G/B* I acknowledge all the corners and all the freshly painted walls that bear no former Cmaj7 Cmaj7 (--2/4 bar---) scars since they're patched up and over A9 Cmaj7 `G `D7 `G/B* now but I was born of miners and I'm designed to chip a-way tun-nel into the Cmaj7 Cmaj7 (-2/4 bar--) dark CHORUS: Cmaj9 G/B D6sus4 `A11 `Bm(b6) but why must it al-ways come down to some un-seen contendor I don't Cmaj9 G/B D6sus4 `A11 `Bm(b6) know when hatchlings all we are just battling the whitewash birds a-bove sharks be- Cmaj9 G/B low though I feel empa-thy towards the ones who threaten D6sus4 `A11 `Bm(b6) me I'd still leave them soft shelled to the beaks of LINK-SHORT: Cmaj9 Cmaj9 crows____ BRIDGE: Em7 G Em7 B every now and then a tempest blows__ and the veneer I keep be-comes unsewn but C G C will you ever read me well I can only assume so Em7 G Em7 B but I am bouyant like a flotsam man__ relegated by the waves to land they C G C A9 A9 dry me like a brittle bone pa-raded like a polished stone__ LINK: Cmaj9 G/B D6sus4 `A11 `Bm(b6) CHORUS: Cmaj9 G/B D6sus4 `A11 `Bm(b6) why must it al-ways come down to some un-seen contendor I don't Cmaj9 G/B D6sus4 `A11 `Bm(b6) know when hatchlings all we are just battling the whitewash birds a-bove sharks be- Cmaj9 G/B low though I feel empa-thy towards the ones who threaten D6sus4 `A11 `Bm(b6) me I'd still leave them soft shelled to the beaks of LINK: Cmaj9 G/B D6sus4 `A11 `Bm(b6) crows_________ CHORUS: Cmaj9 G/B D6sus4 `A11 `Bm(b6) so why must it al-ways come down to some un-seen contendor I don't Cmaj9 G/B D6sus4 `A11 `Bm(b6) know when hatchlings all we are just battling the whitewash birds a-bove sharks be- Cmaj9 G/B low though I feel empa-thy towards the ones who threaten D6sus4 `A11 `Bm(b6) me I'd still leave them soft shelled to the beaks of CODA: Cmaj9 `G/B `D6sus4 `A11 `Em7 `Em7 `Bm(b6) crows__________________________ and that's what you ought to know__ Cmaj9 `G/B `D6sus4 `A11 `Em7 `Em7 `Bm(b6) _______________________________ I'd see them smashed on the reefs below__ Cmaj9 `G/B `D6sus4 `A11 `Em7 `Em7 `Bm(b6) _______________________________ Cmaj9 `G/B `D6sus4 `A11 `Em (end on 3) ================================================================================ TUNING: 6 5 4 3 2 1 Double-Drop-D D A D G B D CHORDS: A11 Bm(b6) Cmaj9 D6sus4 G D7 G/B* Cmaj7 A9 Em7 B C G/B Em D|--0-----0-------0------0------0---0----0-----5-----2----0---4---5---0----2--| B|--0-5.--0-7.----0-8.---0-10.--0---1----0-----0-----0----0---4---5---0----0--| G|--0-----0-------0------0------0---2----0-----0-----0----0---4---5---0----0--| D|--0-----0-------0------0------5---0----0-----5-----2----2---4---5---0----2--| A|--7-----9-------10-----12-----5---0----2-----3-----0----2---2---3---10---2--| D|--7-----9-------10-----12-----5---0---------------------2-----------9----2--| . = alternate voicing in VERSE-B Vocals add thirds to D-chords and C-chords. A-chords are implied minors. While the INTRO voicings are accurate most of the rest are guesses based on the left channel guitar part and taking into account the numerous string scrapes produced during position shifts. Opening chord sounds as A7sus4 as Josh plays only the lower strings. In VERSE-B the voicings change with notes fretted on the 2nd-string. A11 and Cmaj9 become A7sus4 and Cadd9 however the overall harmony remains the same since the vocal adds the B-note. D6sus4 loses 6th. CODA: Phrasing and accents suggest two 2/4 bars: Cmaj9 G/B D6sus4 A11 Em7 Bm(b6) 1 2 3 4 1 2 3 4 1 2 1 2 3 4 1 2 ================================================================================ CHORDS FOR STANDARD TUNING: A11 Bm(b6) Cmaj9 D6sus4 G D7 G/B* Cmaj7 A9 Em7 B C G/B Em E|--x-----x-------x------x------3---2----3------3----0----0---2---3---x----0--| B|--0-5.--0-7.----0-8.---0-10.--0---1----0------0----0----3---4---5---0----0--| G|--0-----0-------0------0------0---2----0------0----0----0---4---5---0----0--| D|--0-----0-------0------0------0---0----0------2----2----2---4---5---0----2--| A|--7-----9-------10-----12---------0----2------3----0----2---2---3---10---2--| E|--5-----7-------8------10-----3-------------------------0-----------7----0--| . = alternate voicing in VERSE-B
