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Josh Pyke/Lines on Palms ----- From TabWiki.com

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Drop-D tuning  DADGBE

VERSE:
Eb5              Eb5
sometimes I know I become
Eb5                  Eb5               Absus2  Absus2
all that's weak in a man and weak in a boy       but

`Ab    `Eb/G      `Fm     `Eb
 I keep trying and I won't quit and
`Fm       `Eb      'Db  'Ab/C  Bb  Bb
 that must be worth some-thing more  than a
                    (-2/4 bar-)
Bb                Bb                  Bb              Ab5    Absus2
strong man who be-lieves that there's nothing left to try for  and

`Ab      `Eb/G  `Fm    `Eb
 I can be cold I know I know but a
`Fm        `Eb         `Db    `Ab/C
 woman is a warm breath on the back of your
Bb                    Bb                   Eb5  Eb5
neck and a warm belly pressed against yours__     and oh-hoh-

CHORUS:
Ab        Eb               Bb7sus4        Ab
hoh-oh we need to feel the sum of all our parts are
Ab        Eb                 Bb7sus4        F7
more than what's laid out in lines upon our palms al-
Ab         Eb                Bb7sus4             F7  Ab  Ab
though our hands are tied we move as though they are___    and

VERSE:
Eb5                  Eb5
there's one house in ev-er-y town that
Eb5                   Eb5             Absus2  Absus2(6)
ev-er-y-one fears and ev'ryone steers clear     and

`Ab     `Eb/G `Fm       `Eb
 I don't wanna live like that I
`Fm   `Eb  `Db       `Ab/C      Bb  Bb
 wanna live somewhere more like you   by the
Bb            Bb                 Bb            Ab5  Absus2
sea where the cliffs keep sentry watching over me     and

`Ab        `Eb/G     `Fm     `Eb
 it can get rough out there I know but a
`Fm        `Eb          `Db      `Ab/C
 woman is a sail that re-mains un-furled so stay a-
Bb                      Bb                 Eb5  Eb5
head of the wind man or you won't catch her       and oh-hoh-

CHORUS-LONG:
Ab        Eb               Bb7sus4        Ab
hoh-oh we need to feel the sum of all our parts are
Ab        Eb                 Bb7sus4        F7
more than what's laid out in lines upon our palms al-
Ab         Eb                Bb7sus4             F7     Ab        Ab
though our hands are tied we move as though they are un-til we're bound by
F           F  Eb5  Eb5
  branching out

VERSE-SHORT:
Eb5              Eb5
sometimes I know where I am and
Eb5                Eb5                  Absus2  Absus2(6)
what I'm doing and what things might be-come      but

`Ab         `Eb/G        `Fm      `Eb
 that always seems such a fleeting state for the re-
`Fm            `Eb    `Db       `Ab/C
 mainder of the time I feel that I am a
Bb                    Bb
babe in the woods out for deliverance and

CODA:
Ab              Ab
I can be cold I know I know but a
F                      F
woman is a warm breath on the back of your
Ab                   `Bb*      `Bb7         Eb
neck and a warm belly pressed a-gainst yours__

================================================================================

TUNING:  6 5 4 3 2 1
Drop-D   D A D G B E

The key of E-flat lends itself to capo at Fret-1 transposed to D however
Josh is seen playing without a capo in the promotional video. He is out
of position at one point - perhaps transposing on the fly. Nevertheless,
unlike Memories & Dust, the guitar parts can be played without making
use of open strings so this arrangement is prepared in E-flat.

VERSE-CHORDS duplicate acoustic voicings from the recording.
CHORUS-CHORDS mimic the ensemble sound.

CHORDS:
 VERSE                                         CHORUS/CODA
   Eb5  Absus2  Ab Eb/G Fm  Eb  Db Ab/C Bb  Ab5  Ab  Eb Bb7sus4 F7  F  Bb* Bb7
E|---------------------------------------------|-------------------.1----------|
B|---------------------------------------------|.4--.4---.6-----6---1--.6--.6--|
G|--8-----8-----------------------------3---8--|-5---3----8-----8---2---7---7--|
D|--8-----8-----6---5---3---1---6---6---3---6--|-6---5----6-----7---3---8---6--|
A|--6-----6(8)--6---6---3---1---4---3---1---6--|-----6----------8--------------|
D|-------.6----.6--.5--.3--.1--------------.6--|-6--------8---------3---8---8--|
               #.....................#

Note in parentheses is the added 6th.
. dot indicates index-finger position for half-barre.
(1st-string may also be barred)

#...#
Vocal and second guitar form triads specified by the chord-names.
Vocal sings minor-third against F-major in the coda on "woman".
Bb7 is optional.

================================================================================

LIVE-SOLO PERFORMANCES

VERSE:
The two bars of Ab-chord are always played as Absus2 with the
ring-finger moving from 3rd to 4th-string for two beats:
   Absus2              Ab5(6)  Absus2
   1 + 2 + 3 + 4 +   1 + 2 + 3 + 4 +
G|-8---------------|---8-------8-----|
D|-8---------------|---6-------8-----|
A|-6---------------|---8-------6-----|
E|-6---------------|---6-------6-----|

CHORUS voicings are simpler:

    Ab5  Eb/G  Bb5  F/A  Absus2  F/A*
E|-----------------------------------|
B|-----------------------------------|
G|---8----8----10----10----8------10-|   Eb/G and F/A have no 5th
D|---6----5----8-----7-----8------10-|
A|---6----6----8-----8-----6------8--|
D|---6----5----8-----7-----6------7--|

Ab5       Eb/G             Bb5            Ab5
hoh-oh we need to feel the sum of all our parts are
Ab5       Eb/G               Bb5            F/A
more than what's laid out in lines upon our palms al-
Ab5        Eb/G              Bb5                 F/A    Absus2    Absus2
though our hands are tied we move as though they are un-til we're bound by
F/A*        F/A*  Eb5  Eb5
  branching out
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