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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##

                             DANCING DAYS (Bassline)
                           As recorded by Led Zeppelin
                    (From the 1973 Album HOUSES OF THE HOLY)

Words and Music by Jimmy Page and Robert Plant
Transcribed by pacman

Gtr I (E A D G) - 'Untitled'

 Intro
  Q=120
 4/4
  Gtr I
  H    Q  E E     +Q   Q  E E E E   +Q   Q  E E E E   +Q   Q  E E a E E
|-------------||------------------|-----------------|-------------3s4----|
|-------------||o-----------------|-----------------|--------------------|
|-------------||o-------------1---|-------------1---|--------------------|
|-----------3-||--(3)-------3---3-|-(3)-------3---3-|-(3)-------0-----3--|


  +Q   Q  E E E E   +Q   Q  E E E E   +Q   Q  E E E E   +Q   Q  E E a E E
|-----------------|-----------------|-----------------|-------------3s4---|
|-----------------|-----------------|-----------------|-------------------|
|-------------1---|-------------1---|-------------1---|-------------------|
|-(3)-------3---3-|-(3)-------3---3-|-(3)-------3---3-|-(3)-------0-----3-|


                    Verse 1 & 3
  +Q   Q  E E E E    +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E
|-----------------||------------------|------------------|------------------|
|-----------------||------------------|------------------|------------------|
|-------------1-3-||-(3)-3----3-3---4-|-(4)-4----4-4---3-|-(3)-3----3-3---3-|
|-(3)-------3-----||------------------|------------------|------------------|


  +E  E Q  E E E E   +E  E Q  E E E E
|------------------|------------------|
|------------------|------------------|
|-(3)-3----------3-|-(3)-3----3-3---4-|
|----------3-3-----|------------------|


  +E  E Q  E E E E   +E  E Q  E E E E   +E  E E E E E E E
|------------------|------------------|-------------------|
|------------------|------------------|-------------------|
|-(4)-4----4-4---3-|-(3)-3----3-3-3-3-|-(3)-3-3---3-3---3-|
|------------------|------------------|---------3-----5---|


  +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E   E E E E E E E E
|------------------|------------------|------------------|-----------------|
|------------------|------------------|------------------|-----------------|
|-(3)-3----3-3---1-|-(1)-1----1-1---0-|-(0)-0----0-0---0-|---0-0-0-0-----3-|
|------------------|------------------|------------------|-----------3-----|


  +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E   E E Q  E E E E
|------------------|------------------|------------------|----------------|
|------------------|------------------|------------------|----------------|
|-(3)-3----3-3---1-|-(1)-1----1-1---0-|-(0)-0----0-0---0-|-----0--------3-|
|------------------|------------------|------------------|---3------3-----|


 Verses 2 & 4
  +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E   +E  E E E E E E E
|------------------|------------------|------------------|-------------------|
|------------------|------------------|------------------|-------------------|
|-(3)-3----3-3---4-|-(4)-4----4-4---3-|-(3)-3----3-3---3-|-(3)-3-3-3-3-----3-|
|------------------|------------------|------------------|-------------3-5---|


  +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E
|------------------|------------------|------------------|------------------|
|------------------|------------------|------------------|------------------|
|-(3)-3----3-3---4-|-(4)-4----4-4---3-|-(3)-3----3-3---3-|-(3)---3--------3-|
|------------------|------------------|------------------|-----3------3-5---|


  +Q   Q  E E E E   +Q   Q  E E E E   +E  E Q  E E E E   +Q   E E +E  E E E
|-----------------|-----------------|------------------|--------------------|
|-----------------|-----------------|------------------|--------------------|
|-(3)-----3-3---1-|-(1)-----1-1-1-0-|-(0)-0----0-1---0-|-(0)----0-(0)---0-3-|
|-----------------|-----------------|--------------3---|------3-------3-----|


                                                          1.
  +E  E Q  E E E E   +E  E Q  E E E E   +Q   Q  E E E E   +E  E Q  E E E E
|------------------|------------------|-----------------|-------------------||
|------------------|------------------|-----------------|------------------o||
|-(3)-3----3---3-1-|-(1)-1----1-3---0-|-(0)-----0---0-0-|-(0)---0----0-----o||
|------------3-----|------------------|-----------0-----|-----0----------3--||


                  Outro
  2.
  E E Q.   Q  E    +Q   Q  E E E E   +Q   Q  E E E E   +Q   Q  E E E E
|---------------||-----------------|-----------------|-----------------|
|---------------||-----------------|-----------------|-----------------|
|---------------||-------------1---|-------------1---|-----------------|
|-5-5-5----5--3-||-(3)-------3---3-|-(3)-------3---3-|-(3)-------0---3-|


  +Q   Q  E E E E   +Q   Q  E E E E   +Q   Q  E E E E   +Q   Q  E E E E
|-----------------|-----------------|-----------------|-----------------|
|-----------------|-----------------|-----------------|-----------------|
|-------------1---|-------------1---|-------------1---|-----------------|
|-(3)-------3---3-|-(3)-------3---3-|-(3)-------3---3-|-(3)-------0---3-|


  +Q   Q  E E E E   +E  E Q  E E E E   +E  E E E E E E E   +E  E E E E E E E
|-----------------|------------------|-------------------|-------------------|
|-----------------|------------------|-----------------1-|-(1)-1-1-1---1---1-|
|-------------1-3-|-(3)-3-3--3-3-3-4-|-(4)-4---4---4-----|-------------------|
|-(3)-------3-----|------------------|-------------------|-------------------|


  +E  E E E E E E E   +E  E E E E E E E   +E  E E E E E E E   +Q   Q  E E E E
|-------------------|-------------------|-------------------|-----------------|
|-(1)-1-1-1-1-1-1-1-|-(1)-1-1-1-1-1-1-3-|-(3)-3-3-3-3-3-3---|-----------------|
|-------------------|-------------------|-------------------|-------------1---|
|-------------------|-------------------|-----------------3-|-(3)-------3---3-|


  +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E
|------------------|------------------|------------------|------------------|
|------------------|------------2-----|------------------|------------------|
|--------------1---|------------------|--------------1---|--------------1---|
|-(3)-3------3---3-|-(3)-3----------3-|-(3)-3------3---3-|-(3)-3------3---3-|


  +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E
|------------------|------------------|------------------|------------------|
|------------------|------------2-----|------------------|------------------|
|--------------1---|------------------|--------------1---|--------------1---|
|-(3)-3------3---3-|-(3)-3----------3-|-(3)-3------3---3-|-(3)-3------3---3-|


  +E  E Q  E E E E   +E  E Q  E E E E   +E  E Q  E E E E   +W
|------------------|------------------|------------------|--------*|
|------------------|------------4-2---|------------------|--------*|
|--------------1---|------------------|------------1-1---|--------*|
|-(3)-3------3---3-|-(3)-3----------3-|-(3)-3----------3-|-(3)----*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
<n>  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


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