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#----------------------------------PLEASE NOTE---------------------------------#
#This file is the author's own work and represents their interpretation of the #
#song. You may only use this file for private study, scholarship, or research. #
#------------------------------------------------------------------------------##

                           SOMETHING IN THE WAY (Live)
                             As recorded by Nirvana
                     (From the 1994 Album NIRVANA UNPLUGGED)

Words and Music by Kurt Cobain
Transcribed by Mike Collins

Gtr I (Db Ab Db Gb Bb Eb) - 'Kurt Cobain'
Gtr II (Db Ab Db Gb Bb Eb) - 'Pat Smear'

 Intro
  Slow and Mysterious Q=54
  F#5            D5               F#5             D5
 4/4
  Gtr I
  E. S +S  S S S E. S +S  S S S   E S S +S  S S S E. S +S  S S S
|-------------------------------|--------------------------------||
|-------------------------------|--------------------------------||
|-------------------------------|--------------------------------||
|-------------------------------|--------------------------------||
|----4-(4)---4------0-(0)---0---|-----4-(4)---4------0-(0)---0---||
|-4--------4---4-0--------0---0-|-4-4-------4---4-0--------0---0-||


 Verse
  F#5          D5               F#m             D5
  Q  +S  S S S E. S +S  S S S   E S S +S  S S S E S S +S  S S S
|-----------------------------|---------------------------------|
|-----------------------------|---------------------------------|
|-----------------------------|---------------------------------|
|-----------------------------|---------------------------------|
|----------4------0-(0)---0---|---------------------0-(0)---0---|
|-4--(4)-4---4-0--------0---0-|-4-4-4-(4)-4-4-4-0-0-------0---0-|


  F#5             D5                F#5            D5
  E S S +S  S S S E S S +S  S S S   E. S +S  S S S E. S +S  S S S
|---------------------------------|-------------------------------|
|---------------------------------|-------------------------------|
|---------------------------------|-------------------------------|
|---------------------------------|-------------------------------|
|-----4-(4)---4-------0-(0)---0---|----4-(4)---4------0-(0)---0---|
|-4-4-------4---4-0-0-------0---0-|-4--------4---4-0--------0---0-|


  F#5            D5                F#5            D5
  E. S +S  S S S E S S +S  S S S   E. S +S  S S S E S S +S  S S S
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|--------------------------------|--------------------------------|
|----4-(4)---4-------0-(0)---0---|----4-(4)---4-------0-(0)---0---|
|-4--------4---4-0-0-------0---0-|-4--------4---4-0-0-------0---0-|


  F#5             D5                F#5             D5       G
  Gtr I
  E S S +S  S S S E S S +S  S S S   E S S +S  S S S E. S +S  S S S
|---------------------------------|--------------------------------||
|---------------------------------|--------------------------------||
|---------------------------------|--------------------------------||
|---------------------------------|--------------------------------||
|-----4-(4)---4-------0-(0)---0---|-----4-(4)---4------0-(0)---0---||
|-4-4-------4---4-0-0-------0---0-|-4-4-------4---4-0--------0---0-||
|
| Gtr II
| W                                 H               Q     S  S S S
|---------------------------------|--------------------------------||
|---------------------------------|--------------------------0-0-0-||
|---------------------------------|--------------------------0-0-0-||
|---------------------------------|--------------------------0-0-0-||
|---------------------------------|----------------------------0---||
|---------------------------------|--------------------------------||


 Chorus
  $
  F#5        D5           F#m        D5           F#5        D5
  Gtrs I, II
  E. S E S S E. S E S S   E. S E S S E. S E S S   E. S E S S E. S E S S
|-----------------------|-----------------------|-----------------------|
|----------0----3-3-3-0-|----------0----3-3-3-0-|----------0----3-3-3-0-|
|----------0----2-2-2-0-|----------0----2-2-2-0-|----------0----2-2-2-0-|
|-4--4-4-4---0----0-0---|-4--4-4-4---0----0-0---|-4--4-4-4---0----0-0---|
|-4--4-4-4---0----0-----|-4--4-4-4---0----0-----|-4--4-4-4---0----0-----|
|-4--4-4-4---0----0-----|-4--4-4-4---0----0-----|-4--4-4-4---0----0-----|


  F#5          D5             F#5        D5           F#5        D5
  E. S S S S S E. S S S S S   E. S E S S E. S E S S   E. S E S S E. S E S S
|---------------------------|-----------------------|-----------------------|
|------------0----3-3-3-3-0-|----------0----3-3-3-0-|----------0----3-3-3-0-|
|------------0----2-2-2-2-0-|----------0----2-2-2-0-|----------0----2-2-2-0-|
|-4--4-4-4-4---0----0-0-0---|-4--4-4-4---0----0-0---|-4--4-4-4---0----0-0---|
|-4--4-4-4-4---0----0---0---|-4--4-4-4---0----0-----|-4--4-4-4---0----0-----|
|-4--4-4-4-4---0----0---0---|-4--4-4-4---0----0-----|-4--4-4-4---0----0-----|


                 To Coda
  F#5        D5           F#5        D5
                                           5/8
  E. S E S S E. S E S S   E. S E S S H      +H     E
|-----------------------|-----------------|----------||
|----------0----3-3-3-0-|----------0-3----|-(3)------||
|----------0----2-2-2-0-|----------0-2----|-(2)------||
|-4--4-4-4---0----0-0---|-4--4-4-4---0----|-(0)------||
|-4--4-4-4---0----0-----|-4--4-4-4---0----|-(0)------||
|-4--4-4-4---0----0-----|-4--4-4-4---0----|-(0)------||


 Verse
  F#5        D5           F#5         D5
 4/4
  Gtr I
  E. S E S S E. S E S S   E S S E S S E S S E S S
|-----------------------|-------------------------|
|-----------------------|-------------------------|
|-----------------------|-------------------------|
|-----------------------|-------------------------|
|----4-----4------0---0-|-----4-----4-------0---0-|
|-4----4-4---0--0---0---|-4-4---4-4---0-0-0---0---|


  F#5      D5              F#5        D5
  E. S E E E S S S S S S   E. S E S S E S S E S S
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
|------------------------|------------------------|
|----4---------0---0---0-|----------4-----0-----0-|
|-4----4-4-0-0---0---0---|-4--4-4-4---0-0---0-0---|


  F#5      D5                F#5        D5
  E. S E E E S S +S  S S S   E. S E S S E S S +S  S S S
|--------------------------|----------------------------|
|--------------------------|----------------------------|
|--------------------------|----------------------------|
|--------------------------|----------------------------|
|----4---------0-(0)---0---|----4-----4-----0-(0)---0---|
|-4----4-4-0-0-------0---0-|-4----4-4---0-0-------0---0-|


                                      D.S. al Coda
  F#5         D5           F#5        D5  G     G6
  E S S E S S E. S E S S   E. S E S S E S S +S  S E
|------------------------|----------------------0-0-||
|------------------------|----------------0-(0)-0-0-||
|------------------------|----------------0-(0)-0-0-||
|------------------------|----------------0-(0)-0-0-||
|-----4-----4----0-----0-|----4-----4-----0-(0)---0-||
|-4-4---4-4---0----0-0---|-4----4-4---0-0---------0-||


 Outro
  &
  F#5          D5               F#5        D5           F#5        D5
  Gtrs I, II
  E. S S S S S E. S S S S S     E. S E S S E. S E S S   E. S E S S E. S E S S
|---------------------------||------------------------|-----------------------|
|------------0----3-3-3-3-0-||o----------0----3-3-3-0-|----------0----3-3-3-0-|
|------------0----2-2-2-2-0-||-----------0----2-2-2-0-|----------0----2-2-2-0-|
|-4--4-4-4-4---0----0-0-0---||--4--4-4-4---0----0-0---|-4--4-4-4---0----0-0---|
|-4--4-4-4-4---0----0---0---||o-4--4-4-4---0----0-----|-4--4-4-4---0----0-----|
|-4--4-4-4-4---0----0---0---||--4--4-4-4---0----0-----|-4--4-4-4---0----0-----|


                         1.                            2H.=H
  F#5        D5           F#5          D5               F#5          D5
  Gtr I
  E. S E S S E. S E S S   E. S S S S S E. S S S S S     E. S S S S S H
|-----------------------|----------------------------||----------------------*|
|----------0----3-3-3-0-|------------0----3-3-3-3-0-o||----------------------*|
|----------0----2-2-2-0-|------------0----2-2-2-2-0--||----------------------*|
|-4--4-4-4---0----0-0---|-4--4-4-4-4---0----0-0-0----||-4--4-4-4-4-4---------*|
|-4--4-4-4---0----0-----|-4--4-4-4-4---0----0---0---o||-4--4-4-4-4-4-0-------*|
|-4--4-4-4---0----0-----|-4--4-4-4-4---0----0---0----||-4--4-4-4-4-4-0-------*|
|
| Gtr II
| E. S E S S E. S E S S   E. S S S S S E. S S S S S     E. S S S S S Q   Q
|-----------------------|----------------------------||----------------------*|
|----------0----3-3-3-0-|------------0----3-3-3-3-0-o||-----------------(3)--*|
|----------0----2-2-2-0-|------------0----2-2-2-2-0--||----------------------*|
|-4--4-4-4---0----0-0---|-4--4-4-4-4---0----0-0-0----||-4--4-4-4-4-4---------*|
|-4--4-4-4---0----0-----|-4--4-4-4-4---0----0---0---o||-4--4-4-4-4-4---------*|
|-4--4-4-4---0----0-----|-4--4-4-4-4---0----0---0----||-4--4-4-4-4-4---------*|


Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
<n>  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers - <E/E./Q/Q./H/H.> = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


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* Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org *
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